Since U Been Gone: My Arrangement Of Kelly Clarkson’s Smash Hit

People who only know Kelly Clarkson from her time on American Idol would tell me that she mainly sings ballads that are largely r ‘n’ b influenced. If that were the case, I wouldn’t be such a fan. I am not an r ‘n’b fan, by any stretch of anyone’s imagination. Not even the most imaginative person in the world could imagine a world in which I “grooved to the slow jamz”.

But I know the truth – and that truth is that Kelly Clarkson rocks! Even her ballads such as “Save Me” and “Already Gone” are power ballads extraordinaire. Take her smash hit, “Since U Been Gone”, for example. There’s not too many female super stars that can unleash the rock power like Kelly does on that infectious song.

So what did I do when I decided to do my own arrangement for the song? I did what any “Kelly Rocks!” fan would do – I stripped away every bit of rock from the song and transformed it into the usual Michael K. Bain fare, symphony orchestra meets techno pop.

From the opening notes played on solo flute, you’re gonna realize that this ain’t your kid sister’s Kelly Clarkson. Everything that made the song so special such as the power chord guitars, and harmonious backup vocals has been stripped away,  and replaced with other elements that I hope will make my arrangement special in its own bizarre way.

Let’s imagine for a moment that that my arrangement of “Since U Been Gone” was the soundtrack for a dream – a real crazy dream. You know the kind of dream I’m talking about: the dream you dream if you eat rich Italian food right before going to bed. The kind of dream that makes absolutely no sense, like that one episode of the Cosby show.

Anyway, here’s how that dream goes. You’re on a foggy Scottish Moor talking to your first grade teacher who has offered you a job at the move theater you worked at for your first job. You politely accept the offer, but your teacher (who is now your dog) can’t hear you because you are suddenly chomping on what seems to be the world’s largest celery stick. In the distance you hear a haunting flute solo. As you and your teacher/dog (who is now the neighbor’s cat) turn, you see a Pan Am stewardess playing a flute like it was a guitar, while propping a pillow for a passenger in an invisible plane. Then as the sweet strain of strings begins, you see a company of bagpipers coming over the hill holding their bagpipes in their first and second hands, while playing violins, violas, cellos, and basses with their third and fourth hands. Your teacher/dog/cat who is now someone who is supposed to be your best friend (but who looks like Tiny Tim) runs to the bagpipers and starts begging for autographs. Then bells play in the church bell tower where you suddenly find yourself. Then Benny Andersson from ABBA appears in a 2 person Kayak in the lake, and suddenly you are the second passenger in that kayak. He’s jamming on the synth something furious, and you find yourself trying to wake up. But after this, the dream starts to get strange, so I’ll stop there.

I could’ve tried to turn out an exact duplicate of the song, but heck, you can find a million of those in the  Karaoke genre at iTunes. Of course, that’s just a convenient excuse. Truth is that learning all the original parts is a much more difficult task than simply forcing my own style on the song and doing what I do naturally.

Anywho, I’ve licensed the song so that it’s all legal-like, so don’t you be worrying I’m going to be sued or anything. Because of licensing restrictions, I’m only allowed to post 30 second preview clips (I like to upload at least 1 minute clips of my own songs). So, I uploaded 3 different 30 second clips so that you can get more of a feel for the song. You can listen to them here.

I hope you enjoy the song. If you like it, please tell Kelly Clarkson about it. Even if you don’t like it, please tell her about it anyway; she might like it.

God Bless, Roger Wilco, Over and Out…

Michael K. Bain

Since U Been Gone

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Blog Numero Uno: Rooster Revel

I’m sitting here thinking “I’m not sure I know how to write a blog”. And by that, I mean “I really don’t know how to write a blog”. I’m tempted to just forget all about it. But every “Promoting Your Music Online” guide I’ve read says that I’ve gotta blog. So, I’m gonna blog.

I think I’ll start a series on the stories behind the songs. Some of this background study will bore you, in fact most of it will probably bore you, but I’ve gotta write a blog about something so it might as well be something I know a little bit about.

Actually, “song” is a misnomer at this point, because “songs” are “sung”. Since all the tracks on the CD “One” are instrumentals, I guess it would be best to simply call them “tunes”. Wikipedia, which is never wrong because it’s freely contributed to by all the smart people across the world and thus never requires substantiation for accuracy, defines “tune” as “a short piece of instrumental music, usually with repeating sections”. That pretty much describes every track on the CD. A second Wikipedia definition of “tune” is “British slang term, often said when referring to a piece of music that is enjoyed”. Wow, that really fits; I’ve heard from those who are in the know that certain British royalty are known to take high tea while listening to the soft, soothing strains of “Rooster Revel”.

And that leads me to the first in the series. Today, my friends and family, I will deal exclusively with the tune you’re all undoubtedly wondering about. Where exactly did I get the title “Rooster Revel”?

Well, that’s a funny story, and I’m glad you asked. Well actually, it’s not a funny story, but I am indeed glad that you asked. Well actually, you didn’t ask, and I doubt you were actually even wondering about it. So, I’ll rephrase: “That’s not a funny story, but I’m glad I asked anyway”.

“Rooster Revel” started life sometime in the 90s as an actual song (with lyrics that were sung) called “You Smother Me With Your Love (And I Like It)”. The idea came from watching an episode of Wonder Years. Kevin was receiving too much attention from a certain young lady and it was bothering him. If the smothering were coming from Winnie Cooper, aka “The Coopster”, he would have quite enjoyed it, but that’s the subject of another blog for another time (watch this space for a guest column by the expert of all things Wonder Years, my Aggie nephew Cody Scott Bain).

But I digress. And I would digress even more if I thought it wouldn’t make you leave this blog screaming in abject horror. So, back to the subject at hand.

What was the subject at hand? Oh yes, it was the origins of that instant classic, “Rooster Revel”. Well, when I decided to redo the song as an instrumental track for the “One” album, I knew that “You Smother Me” would be too violent without lyrics to explain it, and I didn’t want to get an “Explicit Lyrics” sticker slapped on my album which has no lyrics. So, I had to change the title.

After toying with the title “Solemn Funeral Dirge” for all of 1.27 seconds, it struck me that this tune is about a rooster. It just sounds “roosterish”. My first thought was “Rooster Dance”, but gee whiz, that title is so overused in today’s music industry, and I didn’t want to be eternally compared to the likes of Ruben Stoddard or Scotty McCreery . Nothing against those guys, but they do such awesome Rooster Dance songs that I knew I just couldn’t compete.

When that idea didn’t pan out, I turned to “Rooster Rebel”, but decided against it. I mean this little rooster is happy, he’s not rebelling against anything except for the old adage that “roosters are to be seen, not heard or even herded like cats”. So, that led to the title “Rooster Revel” a nice little tune about a joyous rooster. But if he’s so joyous, why doesn’t he crow until the last few bars of the song? Well, putting a rooster crow at the beginning of a song called “Rooster Revel” would be way too predictable.

Just like this blog.

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